Tag Archives: scott garson

The Wigleaf Top 50 & Longlist for 2012

Finally, the Top 50 its Longlist went live yesterday, and I couldn’t be prouder of the result and the team that made the decisions this year. BIG thanks to Danielle Evans (author of the multi award winning collection, BEFORE YOU SUFFOCATE YOUR OWN FOOL SELF) for choosing our toppers, and super thanks to the Dream Team of Sean Lovelace, Erin Fitzgerald, Mel Bosworth, Katrina Denza, Shome Dasgupta, Tawnysha Greene, Marcelle Heath, and of course the chief dreamer, Scott Garson.

My job as Series Editor boiled down to cat herding, a task that I am happily handing off to Erin Fitzgerald for the next go ’round. I’ve been involved with the Top 50 for a couple of years now, and I kinda want to get back into contender-mode. Or is it contender-mood?


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Flash Novella Project for Undergraduates

First, let me admit I have no idea what I’m doing, but just three days before my first class meeting of English 398: Fiction Writing (junior level) I seized upon the idea of incorporating a flash novella writing project: 15 installments/15 weeks. Mind you, my syllabus for the 398 I taught in the Fall was a lovely thing, low stress and high creativity, and several students wrote me afterward to say how much they enjoyed the class. So I had no good reason to change the syllabus. That said, I couldn’t shake the notion of a flash novella assignment.

I did assume that the assignment, layered in with the usuals–two other submissions, exercises, readings, peer preview, etc–would drive some of the bodies out of my overloaded section, but I was wrong. To my delight and terror, more than half of the students in my class are fresh from Poetry Workshop. The Flash Novella doesn’t faze them. In fact, they seem a lot more confident about it than I am.

Several of my writer friends are intrigued by the idea as well, and I thought I would post the basics here–for there are only basics at the moment. I’m making this thing up as I go along.

Week One: prompt writing, Reading The Collectors, by Matt Bell, discuss and practice options for sustaining an interesting narrative beyond/beside conventional “plot”

Weeks 2-14 Post flash drafts * (small group peer reviews as we progress)

Week 15 select, arrange, edit, prepare as formal manuscript (The formal ms part is just a way to focus their energies–the thing itself is not so important, and I’m fully aware that years from now my students will say, “I remember Prof Scott. She taught us how to format stuff.” That’s fine with me, sometimes teaching is about distraction. What’s meaningful to me is that by May they will have done a thing–a 15 part thing.)

*For the students who need more guided help, I’ll ask them to at least settle on a powerful element as subject matter (situation, character, place), and to write from its various pasts, presents, futures from multiple points of view. For further inspiration, I have developed two sets of word lists. These are not the sort of bomb sets that Meg Pokrass develops (and for which we’re all thankful)–I purposely chose words and phrases that I thought would be versatile for the long run.  Set one comes from flipping through The Lover and Jane Eyre. Set two comes from flipping through Alice in Wonderland and American Gymnopedies. The words are mostly in the order that they appear in the texts, and I only thought to combine them later–also in rough order.

set one

1 the same silence, wander, resist, not a hint

2 we ate garbage, streak of light, broken hum

3 crossing the river, a noxious thing, mad cat

4 space existed in me, remove his doubt

5 during this journey, a wicked heart

6 he says he’s lonely

7 suddenly it’s deliberate, mercy, liberty

8 beneath the man’s hat, dropped asleep, music

9 sober as a widow, burns

10 don’t love them anymore, creeping under tables

11 who took the photo, only the spark

12 Leave me alone, iron gates

13 throughout our affair, a message

14 his courage in the forest, wild beast

15 in the black car, purity, doom

set two

1 down and down, slick, turquoise

2 cool fountains, throwing papers

3 large letters, row houses, Borealis

4 poison, jazz from the 1920s

5 question, shiver, lily

6 that kind of thing never happened, blue wings, yellow guitar

7 an angry voice, father’s suede fedora, rusted drum

8 when she heard her voice so close, candle, little worm

9 taken into custody, black leather

10 creatures got so close, verandas, tulips everywhere

11 the judge, sugary sand, wrinkled feet

12 the crowd below, harmless swallow

13 a history of the accident, moon, pink light

14 like an honest man, dreaming fake, caved

15 a mile high, worship, jump

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The Very Best of Very Short Fiction in 2011: Wigleaf Top 50 & the Longlist

Every May, just as classes are winding down and beach plans are being made, something amazing happens on the internet: The Wigleaf Top 50 and its accompanying, sometimes-even-hipper Longlist, celebrate the best in very short fiction from the year before.  Scott Garson is a fine writer as well as the visionary editor for Wigleaf, and 5 years ago he got it into his head to read through every active online lit mag he could to select the cream of the crop. The selection process has evolved since then, and now he appoints a team of readers and editors to collaborate on the process, and I was very privledged to help out with the 2011 picks, under the guidance of Scott and 2011 Series Editor Ravi Mangla (my weird-lit stable mate over at Uncanny Valley Press).

The amazing Dan Chaon made the final selections for the 50.

For 2012, Ravi is stepping down and I’m taking over as Series Editor. We have assembled a dream team of readers and associate editors to help out. More about that later. In the meantime, I recommend you spend a good chunk of Short Story Month reading from both the Top 50 and the Longlist. You will get high.

And for you writer-readers out there,  a thought for you to discuss among yourselves: would you rather have a story in Wigleaf or in the Top 50?

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